Obsidian 的钱币相册
Exceptional luster hallmarks this beguiling 1807. The strike is equally impressive, with weakness confined to the eagle’s head. Note especially the high rims, sharp stars and crisp detail in Liberty’s curls, drapery and cap. Iridescent toning circles the stars and legend. The fields are free of distractions; a few grazes confirm short term circulation. In all, a top flight example of the first year of John Reich’s capped bust design.
Exceptional luster hallmarks this beguiling 1807. The strike is equally impressive, with weakness confined to the eagle’s head. Note especially the high rims, sharp stars and crisp detail in Liberty’s curls, drapery and cap. Iridescent toning circles the stars and legend. The fields are free of distractions; a few grazes confirm short term circulation. In all, a top flight example of the first year of John Reich’s capped bust design.
Exceptional luster hallmarks this beguiling 1807. The strike is equally impressive, with weakness confined to the eagle’s head. Note especially the high rims, sharp stars and crisp detail in Liberty’s curls, drapery and cap. Iridescent toning circles the stars and legend. The fields are free of distractions; a few grazes confirm short term circulation. In all, a top flight example of the first year of John Reich’s capped bust design.
Exceptional luster hallmarks this beguiling 1807. The strike is equally impressive, with weakness confined to the eagle’s head. Note especially the high rims, sharp stars and crisp detail in Liberty’s curls, drapery and cap. Iridescent toning circles the stars and legend. The fields are free of distractions; a few grazes confirm short term circulation. In all, a top flight example of the first year of John Reich’s capped bust design.
Exceptional luster hallmarks this beguiling 1807. The strike is equally impressive, with weakness confined to the eagle’s head. Note especially the high rims, sharp stars and crisp detail in Liberty’s curls, drapery and cap. Iridescent toning circles the stars and legend. The fields are free of distractions; a few grazes confirm short term circulation. In all, a top flight example of the first year of John Reich’s capped bust design.
Soft luster and a halo of album toning grab the eye. The reverse is lighter, with more luster. The surfaces were gently wiped but are remarkably free of contact marks. Here is a wholesome example of the often abused key date to the Capped Bust series.
Soft luster and a halo of album toning grab the eye. The reverse is lighter, with more luster. The surfaces were gently wiped but are remarkably free of contact marks. Here is a wholesome example of the often abused key date to the Capped Bust series.
Soft luster and a halo of album toning grab the eye. The reverse is lighter, with more luster. The surfaces were gently wiped but are remarkably free of contact marks. Here is a wholesome example of the often abused key date to the Capped Bust series.
Soft luster and a halo of album toning grab the eye. The reverse is lighter, with more luster. The surfaces were gently wiped but are remarkably free of contact marks. Here is a wholesome example of the often abused key date to the Capped Bust series.
Soft luster and a halo of album toning grab the eye. The reverse is lighter, with more luster. The surfaces were gently wiped but are remarkably free of contact marks. Here is a wholesome example of the often abused key date to the Capped Bust series.
Soft luster and a halo of album toning grab the eye. The reverse is lighter, with more luster. The surfaces were gently wiped but are remarkably free of contact marks. Here is a wholesome example of the often abused key date to the Capped Bust series.
