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1807 50C Large Stars 50/20 VF35 PCGS #6086

Acquired by "Schulman" in 1973 by Floyd Farley. Don Parsley, the son-in-law of Al Overton purchased the piece from Farley in November of 1989. Luster is still evident around the protected areas and adorned by a small band of blue/green album toning.

1808 50C AU50 PCGS #6090

CAC. From SD MB #54. Nice golden luster with album toning. Photos by Lance Keigwin.

1808 50C AU50 PCGS #6090

CAC. From SD MB #54. Nice golden luster with album toning. Photos by Lance Keigwin.

1808 50C AU50 PCGS #6090

CAC. From SD MB #54. Nice golden luster with album toning. Photos by Lance Keigwin.

1808 50C AU50 PCGS #6090

CAC. From SD MB #54. Nice golden luster with album toning. Photos by Lance Keigwin.

1809 50C VF30 PCGS #6092

Overton 112 Rarity 5

1809 50C VF30 PCGS #6092

Overton 112 Rarity 5

1809 50C XXX Edge VF25 PCGS #6093

This is an O-102 with XXX edge. PCGS did not make note of it on the certification. The toning is from storage in a kraft envelope.

1809 50C III Edge VF30 PCGS #6094

Overton 108 Rarity 4 Ex Soditch

1809 50C III Edge VF30 PCGS #6094

Overton 108 Rarity 4 Ex Soditch

1810 50C XF45 PCGS #6095

VLDS Overton 109a.5. Ex Soditch

1810 50C AU55 PCGS #6095

OGH. Overton 110, Rarity 2, Sheridan Downey FPL 2020

1810 50C AU55 PCGS #6095

OGH. Overton 110, Rarity 2, Sheridan Downey FPL 2020

1814 50C XF45 PCGS #6105

Nice blue and purple toning. Heavy die clashing.

1814 50C XF45 PCGS #6105

Nice blue and purple toning. Heavy die clashing.

1814 50C AU53 PCGS #6105

Crazyhounddog collection. Photos by Joe Best. Beautiful peripheral album toning. Flawless fields.

1814 50C AU53 PCGS #6105

Crazyhounddog collection. Photos by Joe Best. Beautiful peripheral album toning. Flawless fields.

1814 50C AU53 PCGS #6105

Crazyhounddog collection. Photos by Joe Best. Beautiful peripheral album toning. Flawless fields.

1814 50C AU53 PCGS #6105

Crazyhounddog collection. Photos by Joe Best. Beautiful peripheral album toning. Flawless fields.

1814 50C E/A XF40 PCGS #6107

From Downey Mail Bid 55 and described by the cataloguer - A Red Book staple with too much luster for the assigned grade. The bodacious obverse glows with sunset colors; the reverse is similar, a touch more modest because of (the usual) weakness at the eagle’s head and left wing. XF and AU examples of the “R.1” E over A are devilishly hard to find. I see but one or two a year. An old friend from MB 41, August 2015, lot 30.

1814 50C E/A XF40 PCGS #6107

From Downey Mail Bid 55 and described by the cataloguer - A Red Book staple with too much luster for the assigned grade. The bodacious obverse glows with sunset colors; the reverse is similar, a touch more modest because of (the usual) weakness at the eagle’s head and left wing. XF and AU examples of the “R.1” E over A are devilishly hard to find. I see but one or two a year. An old friend from MB 41, August 2015, lot 30.

1814 50C E/A XF40 PCGS #6107

From Downey Mail Bid 55 and described by the cataloguer - A Red Book staple with too much luster for the assigned grade. The bodacious obverse glows with sunset colors; the reverse is similar, a touch more modest because of (the usual) weakness at the eagle’s head and left wing. XF and AU examples of the “R.1” E over A are devilishly hard to find. I see but one or two a year. An old friend from MB 41, August 2015, lot 30.

1818 50C AU50 PCGS #6113

CAC. Crusty original with luster in protected areas.

1818 50C AU50 PCGS #6113

CAC. Crusty original with luster in protected areas.

1819 50C AU55 PCGS #6117

From Downey mail bid auction 57 in January 2024 described as: PCGS “rattler,” lot 8388 from Heritage Sept. 2012 sale where it brought $2,354. Brilliant centers, dazzling luster and a welcome halo of russet through the stars and legend. Q. David Bowers sold the coin to the Heritage consignor during a 1974 Long Beach Show as “UNC with rub.” No argument. There are traces of friction on the portrait; the fields are unscathed save for a contact mark twixt left wing and neck. Well struck throughout. Maybe a hint of weakness, lower drapery. A virtual lock to grade “58” today.

1819 50C AU55 PCGS #6117

From Downey mail bid auction 57 in January 2024 described as: PCGS “rattler,” lot 8388 from Heritage Sept. 2012 sale where it brought $2,354. Brilliant centers, dazzling luster and a welcome halo of russet through the stars and legend. Q. David Bowers sold the coin to the Heritage consignor during a 1974 Long Beach Show as “UNC with rub.” No argument. There are traces of friction on the portrait; the fields are unscathed save for a contact mark twixt left wing and neck. Well struck throughout. Maybe a hint of weakness, lower drapery. A virtual lock to grade “58” today.

1819/8 50C Large 9 AU53 PCGS #6119

CAC. Beautiful iridescent blue in protected areas and pristine surfaces on the obverse. Blue, green and red toning scattered throughout the reverse. Ex Keigwin and ex NGC AU55 CAC.

1819/8 50C Large 9 AU53 PCGS #6119

CAC. Beautiful iridescent blue in protected areas and pristine surfaces on the obverse. Blue, green and red toning scattered throughout the reverse. Ex Keigwin and ex NGC AU55 CAC.

1820/19 50C Curl Base 2 AU53 PCGS #6126

Beaver Falls Collection O-102

1821 50C XF40 PCGS #6128

Ex NGC 40. Luster shows in hidden areas and around yellow and orange toning. Pretty, circulated coin!

1821 50C AU55 PCGS #6128

Beaver Falls Collection O-102. Coin has highly reflective surfaces that shimmer with rose and blue. Coin exhibits full luster that would carry a higher grade save a drift mark and dark toning on the portrait.

1822 50C AU50 PCGS #6129

Ex Osborne, Downey MB52, Photos by Lance Keigwin. Light rose centers, flanked by turquoise and gold iridescence through the stars and legend. A faint drift mark (planchet imperfection) crosses the portrait. In hand, it blends with the lovely toning. From MB 16, lot 115, Jan. 21, 1996. Possibly the favorite coin in my collection.

1822 50C AU50 PCGS #6129

Ex Osborne, Downey MB52, Photos by Lance Keigwin. Light rose centers, flanked by turquoise and gold iridescence through the stars and legend. A faint drift mark (planchet imperfection) crosses the portrait. In hand, it blends with the lovely toning. From MB 16, lot 115, Jan. 21, 1996. Possibly the favorite coin in my collection.

1822 50C AU50 PCGS #6129

Ex Osborne, Downey MB52, Photos by Lance Keigwin. Light rose centers, flanked by turquoise and gold iridescence through the stars and legend. A faint drift mark (planchet imperfection) crosses the portrait. In hand, it blends with the lovely toning. From MB 16, lot 115, Jan. 21, 1996. Possibly the favorite coin in my collection.

1822 50C AU50 PCGS #6129

Ex Osborne, Downey MB52, Photos by Lance Keigwin. Light rose centers, flanked by turquoise and gold iridescence through the stars and legend. A faint drift mark (planchet imperfection) crosses the portrait. In hand, it blends with the lovely toning. From MB 16, lot 115, Jan. 21, 1996. Possibly the favorite coin in my collection.

1823 50C AU53 PCGS #6131

O-104 CAC. From Downey MB56, lot #62. Reflective steel fields accented by crimson toning.

1823 50C AU53 PCGS #6131

O-104 CAC. From Downey MB56, lot #62. Reflective steel fields accented by crimson toning.

1823 50C AU53 PCGS #6131

O-104 CAC. From Downey MB56, lot #62. Reflective steel fields accented by crimson toning.

1823 50C AU53 PCGS #6131

O-104 CAC. From Downey MB56, lot #62. Reflective steel fields accented by crimson toning.

1823 50C Broken 3 AU50 PCGS #6132

O-101 Immaculate surfaces and some album toning.

1823 50C Broken 3 AU50 PCGS #6132

O-101 Immaculate surfaces and some album toning.

1824/4 50C AU53 PCGS #6140

Another coin that was tucked away in an album for several decades. Antique toning blends with the luster befitting a 55. Immaculate surfaces save a stray staple scratch on the reverse near the left wing.

1826 50C AU53 PCGS #6143

From Sheridan Downey MB41 at the winter FUN show 2016. Attractive rainbow toning accents the obverse. Ex Keigwin.

1826 50C AU58 PCGS #6143

From Downey Mail Bid 55 described as - The scarce early die state, with die lines alongside the date and no die break at stars 2-7. Iridescent gold toning through the stars and legend provides an eye-catching frame for the antique grey centers. The surfaces are virtually free of contact marks. From David Kahn, privately, in Nov. 2009 as rare prime R.5.

1826 50C AU58 PCGS #6143

From Downey Mail Bid 55 described as - The scarce early die state, with die lines alongside the date and no die break at stars 2-7. Iridescent gold toning through the stars and legend provides an eye-catching frame for the antique grey centers. The surfaces are virtually free of contact marks. From David Kahn, privately, in Nov. 2009 as rare prime R.5.

1827 50C Square Base 2 AU50 PCGS #6144

Overton 142. Beautiful Wayte Raymond toning. A crusty original coin that earned a CAC sticker.

1827 50C Square Base 2 AU50 PCGS #6144

Overton 142. Beautiful Wayte Raymond toning. A crusty original coin that earned a CAC sticker.

1827 50C Square Base 2 AU53 PCGS #6144

Bright golden gives way to blue and red hues on the obverse. The inverse is true on the reverse. One of a kind! Ex Keigwin.

1827 50C Square Base 2 AU53 PCGS #6144

Bright golden gives way to blue and red hues on the obverse. The inverse is true on the reverse. One of a kind! Ex Keigwin.

1827 50C Curl Base 2 AU58 PCGS #6145

Purchased from Superior's May 1995 sale by Don Parsley

1828 50C Curl Base 2, No Knob XF45 PCGS #6148

More than adequate luster is a nice companion to the blue and red luster. Nice even wear on the devices is fitting for the grade. Ex Keigwin.

1828 50C Curl Base 2, No Knob XF45 PCGS #6148

More than adequate luster is a nice companion to the blue and red luster. Nice even wear on the devices is fitting for the grade. Ex Keigwin.

1828 50C Curl Base 2, Knob XF40 PCGS #6149

Overton 107. Nice golden luster in protected areas.

1828 50C Curl Base 2, Knob XF40 PCGS #6149

Overton 107. Nice golden luster in protected areas.

1828 50C Square 2, Small 8s, Lg. Letters AU53 PCGS #6151

From the Don Parsley Collection

1829 50C VG10 PCGS #6154

Overton 106 Rarity 5-

1831 50C XF40 PCGS #6159

O-117 R4. Deeply original and crusty with light album toning. CAC endorsed.

1831 50C XF40 PCGS #6159

O-117 R4. Deeply original and crusty with light album toning. CAC endorsed.

1836 50C Lettered Edge AU53 PCGS #6169

CAC. Ex-Keigwin. Undeniably original Kraft envelope crust with blue album toning around the periphery. Flawless surfaces. All of this combines to make a premium 1836!

1836 50C Lettered Edge AU53 PCGS #6169

CAC. Ex-Keigwin. Undeniably original Kraft envelope crust with blue album toning around the periphery. Flawless surfaces. All of this combines to make a premium 1836!

1836 50C Lettered Edge AU53 PCGS #6169

CAC. Ex-Keigwin. Undeniably original Kraft envelope crust with blue album toning around the periphery. Flawless surfaces. All of this combines to make a premium 1836!

1836 50C Lettered Edge AU53 PCGS #6169

CAC. Ex-Keigwin. Undeniably original Kraft envelope crust with blue album toning around the periphery. Flawless surfaces. All of this combines to make a premium 1836!

1807 50C Bearded Goddess F15 PCGS #39357

Bearded Goddess Ex Soditch

1809 50C Overton 101 XXX Edge VF35 PCGS #39379

Very tough R5 variety. Only 8 graded higher by PCGS. Dark toning envelops both sides of the coin and has covered up some light hits across the lightly circulated surfaces.

1809 50C Overton 101 XXX Edge VF35 PCGS #39379

Very tough R5 variety. Only 8 graded higher by PCGS. Dark toning envelops both sides of the coin and has covered up some light hits across the lightly circulated surfaces.

1809 50C Overton 110 XXX Edge XF40 PCGS #39382

1809 O-110 XXX Edge. Nice luster and color

1809 50C Overton 110 XXX Edge XF40 PCGS #39382

1809 O-110 XXX Edge. Nice luster and color

1809 50C Overton 110 XXX Edge XF40 PCGS #39382

1809 O-110 XXX Edge. Nice luster and color

1809 50C Overton 110 XXX Edge XF40 PCGS #39382

1809 O-110 XXX Edge. Nice luster and color

1809 50C Overton 110 XXX Edge XF40 PCGS #39382

1809 O-110 XXX Edge. Nice luster and color

1811 50C Overton 103a Large 8 AU58 PCGS #39424

O-103a. Lot 1459 in part II of the Pittman Sale in 1998 where it sold for $715. Ex-Keigwin.

1811 50C Overton 103a Large 8 AU58 PCGS #39424

O-103a. Lot 1459 in part II of the Pittman Sale in 1998 where it sold for $715. Ex-Keigwin.

1811 50C Overton 111a Small 8 AU58+ PCGS #39437

Beautiful bright cartwheel luster encased by a ring of blue. Ex. Tom Sears.

1813 50C Overton 102 AU53 PCGS #39460

O-102 R4. Electric turquoise toning on both obverse and reverse. One of a kind. Photos by Lance Keigwin

1813 50C Overton 102 AU53 PCGS #39460

O-102 R4. Electric turquoise toning on both obverse and reverse. One of a kind. Photos by Lance Keigwin

1813 50C Overton 102 AU53 PCGS #39460

O-102 R4. Electric turquoise toning on both obverse and reverse. One of a kind. Photos by Lance Keigwin

1813 50C Overton 102 AU53 PCGS #39460

O-102 R4. Electric turquoise toning on both obverse and reverse. One of a kind. Photos by Lance Keigwin

1820 50C O-104 Sq. 2, Lg Date, Knob 2 XF40 PCGS #39565

The toughest 1820 variety outside of the O-107, the O-104 was just reduced from a R4 to a R3. Still hard to find one that is attractive and above VF.

1820 50C O-106 Sq. 2, Lg Date, No Knob XF40 PCGS #39569

Original, crusty and luster shimmers protected areas.

1820 50C O-106 Sq. 2, Lg Date, No Knob XF40 PCGS #39569

Original, crusty and luster shimmers protected areas.

1820 50C O-108 Sq. 2, Lg Date, No Knob AU50 PCGS #39570

Tons of luster with fiery red accents. Originally in the collection of Dale Heisler. Purchased by his good friend Glenn Peterson after his passing. Great coin with a great provenance.

1822/1 50C Overton 102 XF45 PCGS #39605

O-102 CAC Queller. Deep blue and purple hues from a long stay in an envelope.

1823 50C Overton 107 AU50 PCGS #39611

Found raw at the Chattanooga show in 2021, this coin glows like a sunset under light. Now CAC.

1823 50C Overton 112 AU55 PCGS #39618

CAC. Original, blemish free surfaces and attractive album toning.

1824 50C Overton 106a AU50 PCGS #39627

From the D.S. collection, sold by Great Collections in 2022. Nice original auburn toning compliment the luster, adequate for an AU50. This is the late die state, a very tough coin with a neat die crack from the top of star 12 to bust. 6 graded by PCGS with this being the top pop!

1824 50C Overton 108a AU55+ PCGS #39630

From Downey mail bid auction 57 in January 2024, described as: A spectacular – and original - 1824. The surfaces showcase a panoply of colors. Luster runs deep into the fabric of the coin. The surfaces are virtually free of marks. I wonder whether PCGS worried about the late die state which accounts for some softness in the strike. The coin puts many AU 58s to shame. From the Kings Park Collection.

1824 50C O-103 Over Various Dates XF45 PCGS #39646

Nice colorful pastel toning not seen in photos PQ!

1824 50C O-103 Over Various Dates XF45 PCGS #39646

Nice colorful pastel toning not seen in photos PQ!

1825 50C Overton 109 VF30 PCGS #39656

Ex ANACS VF35 via Dave Kahn.

1825 50C Overton 117 AU55 PCGS #39664

Beautiful Album toning fades into auburn and gold. Earned a CAC sticker for eye appeal and originality

1825 50C Overton 117 AU55 PCGS #39664

Beautiful Album toning fades into auburn and gold. Earned a CAC sticker for eye appeal and originality

1836 50C Overton 121, Bar Dot VF20 PCGS #39962

From the D.S. collection sold by great collections in 2022. Very tough R5+. 14 graded higher by PCGS with no mint state coins graded.

1836 50C Overton 121, Bar Dot VF20 PCGS #39962

From the D.S. collection sold by great collections in 2022. Very tough R5+. 14 graded higher by PCGS with no mint state coins graded.