Golbrecht's Raisinet Collection 的钱币相册
1795 1/2 C Lettered Edge AU55 C-1, B-1, R.2. Toned a medium to dark brown in color and quite even. The strike is sharp throughout, quite an event as so many of the 1795 half cents come with poorly struck devices. Excellent surfaces are the rule, and this piece is a delight to study. There is a very faint scratch down Liberty's face below her eye, and for identification purposes a tiny planchet flake resides above the post of the E in STATES. A very scarce coin in this relatively lofty grade, with a high quality planchet and good overall eye appeal. From The Melrose Bay Collection
1795 1/2 C Lettered Edge AU55 C-1, B-1, R.2. Toned a medium to dark brown in color and quite even. The strike is sharp throughout, quite an event as so many of the 1795 half cents come with poorly struck devices. Excellent surfaces are the rule, and this piece is a delight to study. There is a very faint scratch down Liberty's face below her eye, and for identification purposes a tiny planchet flake resides above the post of the E in STATES. A very scarce coin in this relatively lofty grade, with a high quality planchet and good overall eye appeal. From The Melrose Bay Collection
1795 1C Plain Edge AU58 S-78, B-8, R.1. This is one of the most common of all Liberty Cap large cent varieties and an ideal candidate for the date or type collector. For this die pairing, the peak of the 5 in the date just touches the bust truncation. Date and LIBERTY are closely spaced. ONE CENT is centered in the wreath and widely separated. ONE CENT is high in the wreath, as the engraver avoided placing CENT within the narrow space between the lower leaves, and the E in STATES is entered high. Specialists of 1795 cents know that the two most common varieties are S-76b and S-78, both Plain Edge varieties. The Lettered Edge varieties are significantly scarcer, as indicated by Guide Book prices. While none of the three collectible Plain Edge 1795 cent die pairs can be considered more than scarce, the type is more in-demand than the supply can handle, especially for better conditions such as Choice AU.
1795 1C Plain Edge AU58 S-78, B-8, R.1. This is one of the most common of all Liberty Cap large cent varieties and an ideal candidate for the date or type collector. For this die pairing, the peak of the 5 in the date just touches the bust truncation. Date and LIBERTY are closely spaced. ONE CENT is centered in the wreath and widely separated. ONE CENT is high in the wreath, as the engraver avoided placing CENT within the narrow space between the lower leaves, and the E in STATES is entered high. Specialists of 1795 cents know that the two most common varieties are S-76b and S-78, both Plain Edge varieties. The Lettered Edge varieties are significantly scarcer, as indicated by Guide Book prices. While none of the three collectible Plain Edge 1795 cent die pairs can be considered more than scarce, the type is more in-demand than the supply can handle, especially for better conditions such as Choice AU.
1795 1C Plain Edge AU58 S-78, B-8, R.1. This is one of the most common of all Liberty Cap large cent varieties and an ideal candidate for the date or type collector. For this die pairing, the peak of the 5 in the date just touches the bust truncation. Date and LIBERTY are closely spaced. ONE CENT is centered in the wreath and widely separated. ONE CENT is high in the wreath, as the engraver avoided placing CENT within the narrow space between the lower leaves, and the E in STATES is entered high. Specialists of 1795 cents know that the two most common varieties are S-76b and S-78, both Plain Edge varieties. The Lettered Edge varieties are significantly scarcer, as indicated by Guide Book prices. While none of the three collectible Plain Edge 1795 cent die pairs can be considered more than scarce, the type is more in-demand than the supply can handle, especially for better conditions such as Choice AU.
1795 H10C MS62. V-5, LM-8, R.3. The years 1795 and 1796 were busy and productive ones for the fledgling U.S. Mint. Director Henry DeSaussure--continuing his dual missions to produce circulating gold coinage and to improve the design of circulating silver coinage--employed the noted portraitist Gilbert Stuart in the summer of 1795 to fashion a new portrait of Liberty to replace the unpopular Flowing Hair design on silver denominations. From those sketches, artist John Eckstein prepared obverse device punches, and Chief Engraver Robert Scot prepared dies conforming to the Mint Act of 1792. The new Draped Bust, Small Eagle design was introduced first in 1795 on the silver dollar. Although no 1795 half dimes with the Draped Bust motif were coined, a 1795-dated obverse die of the new design was produced. The recorded mintage of 86,416 half dimes included both 1794- and 1795-dated pieces, but about three times as many 1795 pieces have been certified. The mintage of 1795 half dimes was divided into 10 different die marriages, most of them quite scarce. This coin is a representative of the scarce LM-8 variety. It is identifiable by the position of star 1 between curls 1 and 2 on the obverse and the wreath with no berries under the left wing of the eagle on the reverse. The LM-8 variety is one of the more available marriages, and is a popular choice with early type collectors. The number of high quality LM-8 half dimes is explained by its presence in a hoard mentioned by Walter Breen in his Proof Encyclopedia of more than 100 Mint State Flowing Hair half dimes, of this and two other varieties, discovered in the 1870s and dispersed by William Elliot Woodward around 1880, known as the Wadsworth-Rea hoard. On this variety there are seven curls, the first star points between curls 2 and 3, and the reverse shows the berries arranged 3-4 with none beneath the wings. There is no berry inside or outside of the U in UNITED, and a spike protrudes from the wreath and points between the first T and A of STATES. The bold diagnostic obverse die crack extends from the upper rim to Y in LIBERTY to the nose and then across the neck to the top of the 7 in the date. This variety is most easily attributed by the lack of berries around the lower left portion of the wreath and the relative position of the lowest outside left leaf relative to the U in UNITED. The die crack through the Y in LIBERTY also confirms this die pairing. The present example is sharper than most and centered, normally not seen on most early Bust design half dimes. No adjustment marks are apparent on either side of this coin.
1795 H10C MS62. V-5, LM-8, R.3. The years 1795 and 1796 were busy and productive ones for the fledgling U.S. Mint. Director Henry DeSaussure--continuing his dual missions to produce circulating gold coinage and to improve the design of circulating silver coinage--employed the noted portraitist Gilbert Stuart in the summer of 1795 to fashion a new portrait of Liberty to replace the unpopular Flowing Hair design on silver denominations. From those sketches, artist John Eckstein prepared obverse device punches, and Chief Engraver Robert Scot prepared dies conforming to the Mint Act of 1792. The new Draped Bust, Small Eagle design was introduced first in 1795 on the silver dollar. Although no 1795 half dimes with the Draped Bust motif were coined, a 1795-dated obverse die of the new design was produced. The recorded mintage of 86,416 half dimes included both 1794- and 1795-dated pieces, but about three times as many 1795 pieces have been certified. The mintage of 1795 half dimes was divided into 10 different die marriages, most of them quite scarce. This coin is a representative of the scarce LM-8 variety. It is identifiable by the position of star 1 between curls 1 and 2 on the obverse and the wreath with no berries under the left wing of the eagle on the reverse. The LM-8 variety is one of the more available marriages, and is a popular choice with early type collectors. The number of high quality LM-8 half dimes is explained by its presence in a hoard mentioned by Walter Breen in his Proof Encyclopedia of more than 100 Mint State Flowing Hair half dimes, of this and two other varieties, discovered in the 1870s and dispersed by William Elliot Woodward around 1880, known as the Wadsworth-Rea hoard. On this variety there are seven curls, the first star points between curls 2 and 3, and the reverse shows the berries arranged 3-4 with none beneath the wings. There is no berry inside or outside of the U in UNITED, and a spike protrudes from the wreath and points between the first T and A of STATES. The bold diagnostic obverse die crack extends from the upper rim to Y in LIBERTY to the nose and then across the neck to the top of the 7 in the date. This variety is most easily attributed by the lack of berries around the lower left portion of the wreath and the relative position of the lowest outside left leaf relative to the U in UNITED. The die crack through the Y in LIBERTY also confirms this die pairing. The present example is sharper than most and centered, normally not seen on most early Bust design half dimes. No adjustment marks are apparent on either side of this coin.
1795 50C 2 Leaves AU55. O-102, R.4. This piece is an intermediate die state, the obverse meeting Overton's requirements for O-102a and the reverse perfect as an O-102. It is also one of the finest known examples of the die marriage. In the fourth edition of Overton, Don Parsley recorded the Condition Census as 55, 45, 40, 30, 30. The finest examples to appear in recent auctions (and the only AU grade coins) are an AU55 ANACS piece that Heritage sold in November 2003 and an uncertified AU50 sold by Stack's in May 2001. Each side has a few minor scuffs and abrasions, but the overall eye appeal of this example is excellent. Satiny pale gray surfaces exhibit sharp design features with nearly full luster, accented by delightful gold and iridescent toning.
1795 50C 2 Leaves AU55. O-102, R.4. This piece is an intermediate die state, the obverse meeting Overton's requirements for O-102a and the reverse perfect as an O-102. It is also one of the finest known examples of the die marriage. In the fourth edition of Overton, Don Parsley recorded the Condition Census as 55, 45, 40, 30, 30. The finest examples to appear in recent auctions (and the only AU grade coins) are an AU55 ANACS piece that Heritage sold in November 2003 and an uncertified AU50 sold by Stack's in May 2001. Each side has a few minor scuffs and abrasions, but the overall eye appeal of this example is excellent. Satiny pale gray surfaces exhibit sharp design features with nearly full luster, accented by delightful gold and iridescent toning.
