NashvilleBustNut 的钱币相册

Entire Image Gallery ›

1810 50C AU55 PCGS #6095

OGH. Overton 110, Rarity 2, Sheridan Downey FPL 2020

1810 50C AU55 PCGS #6095

OGH. Overton 110, Rarity 2, Sheridan Downey FPL 2020

1811 50C Overton 111a Small 8 AU58+ PCGS #39437

Beautiful bright cartwheel luster encased by a ring of blue. Ex. Tom Sears.

1819/8 50C Large 9 AU53 PCGS #6119

CAC. Beautiful iridescent blue in protected areas and pristine surfaces on the obverse. Blue, green and red toning scattered throughout the reverse. Ex Keigwin and ex NGC AU55 CAC.

1819/8 50C Large 9 AU53 PCGS #6119

CAC. Beautiful iridescent blue in protected areas and pristine surfaces on the obverse. Blue, green and red toning scattered throughout the reverse. Ex Keigwin and ex NGC AU55 CAC.

1822 50C AU50 PCGS #6129

Ex Osborne, Downey MB52, Photos by Lance Keigwin. Light rose centers, flanked by turquoise and gold iridescence through the stars and legend. A faint drift mark (planchet imperfection) crosses the portrait. In hand, it blends with the lovely toning. From MB 16, lot 115, Jan. 21, 1996. Possibly the favorite coin in my collection.

1822 50C AU50 PCGS #6129

Ex Osborne, Downey MB52, Photos by Lance Keigwin. Light rose centers, flanked by turquoise and gold iridescence through the stars and legend. A faint drift mark (planchet imperfection) crosses the portrait. In hand, it blends with the lovely toning. From MB 16, lot 115, Jan. 21, 1996. Possibly the favorite coin in my collection.

1822 50C AU50 PCGS #6129

Ex Osborne, Downey MB52, Photos by Lance Keigwin. Light rose centers, flanked by turquoise and gold iridescence through the stars and legend. A faint drift mark (planchet imperfection) crosses the portrait. In hand, it blends with the lovely toning. From MB 16, lot 115, Jan. 21, 1996. Possibly the favorite coin in my collection.

1822 50C AU50 PCGS #6129

Ex Osborne, Downey MB52, Photos by Lance Keigwin. Light rose centers, flanked by turquoise and gold iridescence through the stars and legend. A faint drift mark (planchet imperfection) crosses the portrait. In hand, it blends with the lovely toning. From MB 16, lot 115, Jan. 21, 1996. Possibly the favorite coin in my collection.

1824 50C Overton 108a AU55+ PCGS #39630

From Downey mail bid auction 57 in January 2024, described as: A spectacular – and original - 1824. The surfaces showcase a panoply of colors. Luster runs deep into the fabric of the coin. The surfaces are virtually free of marks. I wonder whether PCGS worried about the late die state which accounts for some softness in the strike. The coin puts many AU 58s to shame. From the Kings Park Collection.

1825 50C Overton 117 AU55 PCGS #39664

Beautiful Album toning fades into auburn and gold. Earned a CAC sticker for eye appeal and originality

1825 50C Overton 117 AU55 PCGS #39664

Beautiful Album toning fades into auburn and gold. Earned a CAC sticker for eye appeal and originality

1826 50C AU58 PCGS #6143

From Downey Mail Bid 55 described as - The scarce early die state, with die lines alongside the date and no die break at stars 2-7. Iridescent gold toning through the stars and legend provides an eye-catching frame for the antique grey centers. The surfaces are virtually free of contact marks. From David Kahn, privately, in Nov. 2009 as rare prime R.5.

1826 50C AU58 PCGS #6143

From Downey Mail Bid 55 described as - The scarce early die state, with die lines alongside the date and no die break at stars 2-7. Iridescent gold toning through the stars and legend provides an eye-catching frame for the antique grey centers. The surfaces are virtually free of contact marks. From David Kahn, privately, in Nov. 2009 as rare prime R.5.

1827 50C Curl Base 2 AU58 PCGS #6145

Purchased from Superior's May 1995 sale by Don Parsley

1836 50C Lettered Edge AU53 PCGS #6169

CAC. Ex-Keigwin. Undeniably original Kraft envelope crust with blue album toning around the periphery. Flawless surfaces. All of this combines to make a premium 1836!

1836 50C Lettered Edge AU53 PCGS #6169

CAC. Ex-Keigwin. Undeniably original Kraft envelope crust with blue album toning around the periphery. Flawless surfaces. All of this combines to make a premium 1836!

1836 50C Lettered Edge AU53 PCGS #6169

CAC. Ex-Keigwin. Undeniably original Kraft envelope crust with blue album toning around the periphery. Flawless surfaces. All of this combines to make a premium 1836!

1836 50C Lettered Edge AU53 PCGS #6169

CAC. Ex-Keigwin. Undeniably original Kraft envelope crust with blue album toning around the periphery. Flawless surfaces. All of this combines to make a premium 1836!