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1807 50C Bearded Goddess F15 PCGS #39357

Bearded Goddess Ex Soditch

1808 50C AU50 PCGS #6090

CAC. From SD MB #54. Nice golden luster with album toning. Photos by Lance Keigwin.

1808 50C AU50 PCGS #6090

CAC. From SD MB #54. Nice golden luster with album toning. Photos by Lance Keigwin.

1808 50C AU50 PCGS #6090

CAC. From SD MB #54. Nice golden luster with album toning. Photos by Lance Keigwin.

1808 50C AU50 PCGS #6090

CAC. From SD MB #54. Nice golden luster with album toning. Photos by Lance Keigwin.

1809 50C Overton 110 XXX Edge XF40 PCGS #39382

1809 O-110 XXX Edge. Nice luster and color

1809 50C Overton 110 XXX Edge XF40 PCGS #39382

1809 O-110 XXX Edge. Nice luster and color

1809 50C Overton 110 XXX Edge XF40 PCGS #39382

1809 O-110 XXX Edge. Nice luster and color

1809 50C Overton 110 XXX Edge XF40 PCGS #39382

1809 O-110 XXX Edge. Nice luster and color

1809 50C Overton 110 XXX Edge XF40 PCGS #39382

1809 O-110 XXX Edge. Nice luster and color

1810 50C AU55 PCGS #6095

OGH. Overton 110, Rarity 2, Sheridan Downey FPL 2020

1810 50C AU55 PCGS #6095

OGH. Overton 110, Rarity 2, Sheridan Downey FPL 2020

1811 50C Overton 103a Large 8 AU58 PCGS #39424

O-103a. Lot 1459 in part II of the Pittman Sale in 1998 where it sold for $715. Ex-Keigwin.

1811 50C Overton 103a Large 8 AU58 PCGS #39424

O-103a. Lot 1459 in part II of the Pittman Sale in 1998 where it sold for $715. Ex-Keigwin.

1811 50C Overton 111a Small 8 AU58+ PCGS #39437

Beautiful bright cartwheel luster encased by a ring of blue. Ex. Tom Sears.

1813 50C Overton 102 AU53 PCGS #39460

O-102 R4. Electric turquoise toning on both obverse and reverse. One of a kind. Photos by Lance Keigwin

1813 50C Overton 102 AU53 PCGS #39460

O-102 R4. Electric turquoise toning on both obverse and reverse. One of a kind. Photos by Lance Keigwin

1813 50C Overton 102 AU53 PCGS #39460

O-102 R4. Electric turquoise toning on both obverse and reverse. One of a kind. Photos by Lance Keigwin

1813 50C Overton 102 AU53 PCGS #39460

O-102 R4. Electric turquoise toning on both obverse and reverse. One of a kind. Photos by Lance Keigwin

1814 50C AU55 PCGS #6105

O-104a CAC

1814 50C AU55 PCGS #6105

O-104a CAC

1814 50C E/A XF40 PCGS #6107

From Downey Mail Bid 55 and described by the cataloguer - A Red Book staple with too much luster for the assigned grade. The bodacious obverse glows with sunset colors; the reverse is similar, a touch more modest because of (the usual) weakness at the eagle’s head and left wing. XF and AU examples of the “R.1” E over A are devilishly hard to find. I see but one or two a year. An old friend from MB 41, August 2015, lot 30.

1814 50C E/A XF40 PCGS #6107

From Downey Mail Bid 55 and described by the cataloguer - A Red Book staple with too much luster for the assigned grade. The bodacious obverse glows with sunset colors; the reverse is similar, a touch more modest because of (the usual) weakness at the eagle’s head and left wing. XF and AU examples of the “R.1” E over A are devilishly hard to find. I see but one or two a year. An old friend from MB 41, August 2015, lot 30.

1814 50C E/A XF40 PCGS #6107

From Downey Mail Bid 55 and described by the cataloguer - A Red Book staple with too much luster for the assigned grade. The bodacious obverse glows with sunset colors; the reverse is similar, a touch more modest because of (the usual) weakness at the eagle’s head and left wing. XF and AU examples of the “R.1” E over A are devilishly hard to find. I see but one or two a year. An old friend from MB 41, August 2015, lot 30.

1819 50C AU55 PCGS #6117

From Downey mail bid auction 57 in January 2024 described as: PCGS “rattler,” lot 8388 from Heritage Sept. 2012 sale where it brought $2,354. Brilliant centers, dazzling luster and a welcome halo of russet through the stars and legend. Q. David Bowers sold the coin to the Heritage consignor during a 1974 Long Beach Show as “UNC with rub.” No argument. There are traces of friction on the portrait; the fields are unscathed save for a contact mark twixt left wing and neck. Well struck throughout. Maybe a hint of weakness, lower drapery. A virtual lock to grade “58” today.

1819 50C AU55 PCGS #6117

From Downey mail bid auction 57 in January 2024 described as: PCGS “rattler,” lot 8388 from Heritage Sept. 2012 sale where it brought $2,354. Brilliant centers, dazzling luster and a welcome halo of russet through the stars and legend. Q. David Bowers sold the coin to the Heritage consignor during a 1974 Long Beach Show as “UNC with rub.” No argument. There are traces of friction on the portrait; the fields are unscathed save for a contact mark twixt left wing and neck. Well struck throughout. Maybe a hint of weakness, lower drapery. A virtual lock to grade “58” today.

1819/8 50C Large 9 AU53 PCGS #6119

CAC. Beautiful iridescent blue in protected areas and pristine surfaces on the obverse. Blue, green and red toning scattered throughout the reverse. Ex Keigwin and ex NGC AU55 CAC.

1819/8 50C Large 9 AU53 PCGS #6119

CAC. Beautiful iridescent blue in protected areas and pristine surfaces on the obverse. Blue, green and red toning scattered throughout the reverse. Ex Keigwin and ex NGC AU55 CAC.

1820 50C O-106 Sq. 2, Lg Date, No Knob XF40 PCGS #39569

Original, crusty and luster shimmers protected areas.

1820 50C O-106 Sq. 2, Lg Date, No Knob XF40 PCGS #39569

Original, crusty and luster shimmers protected areas.

1820/19 50C Curl Base 2 AU53 PCGS #6126

Beaver Falls Collection O-102

1823 50C Broken 3 AU50 PCGS #6132

O-101 Immaculate surfaces and some album toning.

1823 50C Broken 3 AU50 PCGS #6132

O-101 Immaculate surfaces and some album toning.

1824 50C Overton 108a AU55+ PCGS #39630

From Downey mail bid auction 57 in January 2024, described as: A spectacular – and original - 1824. The surfaces showcase a panoply of colors. Luster runs deep into the fabric of the coin. The surfaces are virtually free of marks. I wonder whether PCGS worried about the late die state which accounts for some softness in the strike. The coin puts many AU 58s to shame. From the Kings Park Collection.

1824 50C O-103 Over Various Dates XF45 PCGS #39646

Nice colorful pastel toning not seen in photos PQ!

1824 50C O-103 Over Various Dates XF45 PCGS #39646

Nice colorful pastel toning not seen in photos PQ!

1824/4 50C AU53 PCGS #6140

Another coin that was tucked away in an album for several decades. Antique toning blends with the luster befitting a 55. Immaculate surfaces save a stray staple scratch on the reverse near the left wing.

1825 50C Overton 117 AU55 PCGS #39664

Beautiful Album toning fades into auburn and gold. Earned a CAC sticker for eye appeal and originality

1825 50C Overton 117 AU55 PCGS #39664

Beautiful Album toning fades into auburn and gold. Earned a CAC sticker for eye appeal and originality

1826 50C AU58 PCGS #6143

From Downey Mail Bid 55 described as - The scarce early die state, with die lines alongside the date and no die break at stars 2-7. Iridescent gold toning through the stars and legend provides an eye-catching frame for the antique grey centers. The surfaces are virtually free of contact marks. From David Kahn, privately, in Nov. 2009 as rare prime R.5.

1826 50C AU58 PCGS #6143

From Downey Mail Bid 55 described as - The scarce early die state, with die lines alongside the date and no die break at stars 2-7. Iridescent gold toning through the stars and legend provides an eye-catching frame for the antique grey centers. The surfaces are virtually free of contact marks. From David Kahn, privately, in Nov. 2009 as rare prime R.5.

1827 50C Square Base 2 AU53 PCGS #6144

Bright golden gives way to blue and red hues on the obverse. The inverse is true on the reverse. One of a kind! Ex Keigwin.

1827 50C Square Base 2 AU53 PCGS #6144

Bright golden gives way to blue and red hues on the obverse. The inverse is true on the reverse. One of a kind! Ex Keigwin.

1827 50C Curl Base 2 AU58 PCGS #6145

Purchased from Superior's May 1995 sale by Don Parsley

1828 50C Curl Base 2, No Knob XF45 PCGS #6148

More than adequate luster is a nice companion to the blue and red luster. Nice even wear on the devices is fitting for the grade. Ex Keigwin.

1828 50C Curl Base 2, No Knob XF45 PCGS #6148

More than adequate luster is a nice companion to the blue and red luster. Nice even wear on the devices is fitting for the grade. Ex Keigwin.

1828 50C Curl Base 2, Knob XF40 PCGS #6149

Overton 107. Nice golden luster in protected areas.

1828 50C Curl Base 2, Knob XF40 PCGS #6149

Overton 107. Nice golden luster in protected areas.

1836 50C Lettered Edge AU53 PCGS #6169

CAC. Ex-Keigwin. Undeniably original Kraft envelope crust with blue album toning around the periphery. Flawless surfaces. All of this combines to make a premium 1836!

1836 50C Lettered Edge AU53 PCGS #6169

CAC. Ex-Keigwin. Undeniably original Kraft envelope crust with blue album toning around the periphery. Flawless surfaces. All of this combines to make a premium 1836!

1836 50C Lettered Edge AU53 PCGS #6169

CAC. Ex-Keigwin. Undeniably original Kraft envelope crust with blue album toning around the periphery. Flawless surfaces. All of this combines to make a premium 1836!

1836 50C Lettered Edge AU53 PCGS #6169

CAC. Ex-Keigwin. Undeniably original Kraft envelope crust with blue album toning around the periphery. Flawless surfaces. All of this combines to make a premium 1836!